This volume contains 19 papers presented at the 28th Research Conference of the International Association of Research Institutes for the Printing, Information and Communication Industries (IARIGAI), the theme of which was Advances in Color Reproduction.
The papers in this report are arranged in four sections. Section one (six papers) deals with a range of topics related to color management. The second section (two papers) discusses reproducing paintings without using raster technology and conducting a press run analysis. The third section (five papers) is concerned with color printing, and the final section (six papers) discusses print quality.
Table of Contents:
Section 1: Color Management
Advances in Color Management
Do Color Control Devices Monitor the Whole Gamut?
The Effect of the Colour Gamut of Newspaper Printing on the Reverse Side and How This Effect Changes with Time
Combination of Profile-based Color Corrections in Several Color Spaces
The Development of a New Gamut Mapping Algorithm for Newsprint
Graphic Arts Standards—A Report
Section 2: Miscellaneous
Development of a New Method for the Accurate Tonal and Chromatic Reproductions of Paintings without the Application of Raster Technology
Conducting a Press Run Analysis
Section 3: Color Printing
Influence of the Substrate Properties on the Offset Printing Colour Matching
The Invisible Test Target Concept
Colour Control by a Densitometric Approach with Applications to Offset and Ink-jet Printing
Influence of Register Error of Particular Colour on the Visual Evaluation of the Print Quality
On-line Colour Measurement of Newspaper Printing: A Measurement Module and the Tests of the Module
Section 4: Print Quality
Image Quality of Four Digital Printing Methods Compared to Offset and Flexographic Printing
Colorimetric Properties of the Model Offset Inks and the Durability of the Prints During Aging
Influence of Mottle on Color Reproduction
Reproduction Objectivity of Four Color and Seven Color Conventional Printing and Digital Offset Printing Technique
The CIE2000 Colour Difference Formula and Its Performance with a Graphic Arts Data Set
Investigation into the Colour Variability and Acceptability of Digital Printing
